<p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">7年前，我写过一篇文章，题为《皇帝为何喜欢查户口》，即兴而作，历数中华帝国官僚体制时代（秦统一六国至清朝灭亡），“户籍制度”以及附着其上的人口流动、赋役管理政策的源流和变迁。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">户籍制度在古代产生的一个社会效应是人口身份化，转变的渠道除了科举仕途几乎别无他途。进入现代，法律上消除了人口的身份化，但继而被城乡差异化取代。1958年的《中华人民共和国户口登记条例》正式将“城乡户籍分割”制度化，城镇户口的特权地位实际上被确立，城乡二元结构形成，以广袤的农村反哺城市，尤其是国家重工业的发展，成为中国独特的风景。从此，一张薄薄的纸，不小心划出了几亿人口和他们后代一生的轨迹。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">之所以旧事重提，一是有感于近期发生在北京的一件不可描述的清理运动，二是由于上述旧文的渊源为一本新书《北洋夜行记》作评。而这二者之间，在我看来，似乎隐隐约约有种说不清楚的关联。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">我亦曾经“不务正业”地应邀写过几篇书评和影评，但始终以“作诗的功夫在诗外”自况，自诩不会就文艺作品本身做过多褒贬，实质是掩盖自己不求甚解的恶习。然而随着步入不惑之年，忽然思维慢了下来，感知神经末梢仿佛比以前敏感，这一回居然认真仔细地将近600页的小说（姑且先这么叫）从头至尾读了一遍，个别章节几乎到了“研读”的标准。</p><div> </div><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">这本小说源自微信公众号“魔宙”的连载，经作者整理后付梓出版，时代背景是民国初年即北洋军阀时期，讲述了发生在北京、上海以及沈阳的离奇古怪的命案，文体颇似传统的志怪笔记。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">本书难能可贵之处在于，故事情节有虚构成分，但涉及诸多历史细节，均经过作者一番考证，尤其是历史大事件期间的小事件，历史大人物周围的小人物，确有其事其人，却鲜为人知。作者金醉先生也颇为得意且雄心勃勃地在《序章》中说道：</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">“历史真相的暗面，总是挖掘不尽，不被曝光总有各个时代的原因。而‘夜行者’这一特殊职业的发现，将重写历史。更重要的，重写的不仅仅是民国史。”</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">金醉先生的作品，在我的眼中，定位为“稗史”可谓恰如其分。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">稗史最初是个史学概念，指不同于正史、记录闾巷旧闻的史籍类型，其内容、体例与地位等与早期的“小说”类似，人们以“稗史”指称“小说”，遂成文学概念。从史学概念到文学概念的转变反映了一种“以小说为正史之余”的小说观念。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">金醉先生不过是新瓶装旧酒，唯一的新发明是“夜行者”这个概念，并为这个行当找到了“祖师爷”——唐朝人牛肃，以及“近代奠基人”——《老残游记》的作者刘鹗。我推测，其真实渊源应该是“稗官”。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">《汉书·艺文志》：“小说家者流，盖出于稗官。街谈巷语，道听途说者之所造也。” 颜师古注：“稗官，小官。 如淳曰：‘细米为稗，街谈巷说，其细碎之言也。王者欲知闾巷风俗，故立稗官使称说之。’”</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">如果说“稗官”最初还是官方设立，目的为“了解民情”，那么后世逐渐成为文人个性化写作的一种形式，专门记录奇闻异事和社会按键，虚实相间。金醉引用刘鹗自我点评为所谓“夜行者”正名：“野史者，补正史之缺也。名可托诸子虚，事须征诸实在”，联想起推荐人给我的强调之语，这段话怕是金醉先生的“夫子自道”，聊以自矜。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"> “京城低端行业”在近期的互联网上几乎成为禁忌词汇，幸好加以时代限定为北洋时期，且《北洋夜行者》大量篇幅讲述的是发生在北京社会底层的故事，底层群众当然是低端行业的从业者。惟其如此，庶几可做擦边之盾牌。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">金醉透过“太爷爷”金木（报社记者、自由撰稿人），将目光投向1910至1920年代京城的底层社会之中，凶案及侦破过程仅仅是一种叙事手段，目的是展现个体的遭遇，折射时代的波澜，包括义和团运动攻打西什库教堂、五四运动火烧赵家楼、朝鲜义烈团刺杀田中义一等。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">在《北洋夜行记》共计25案，包括序章的潘家园书商命案和前传哈尔滨鼠疫，正文为23案，主要发生地在北京，涉及的“低端行业”人群包括：八大胡同妓女、四九城人力车夫、天桥艺人、前清太监、人贩子、鸦片贩子、拾粪者各色人等，此外，在作者看来，巡警也属于这个群体。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">说起民国初年老北京的穷人生活，侯磊先生撰长文深情回忆，他说“在过去，北京还是个相对容易谋生的，养穷人的地方”。“民国时候，各地若有灾荒，人会出来逃荒，河北一带多会逃到北京的郊区县城伺机而动，若能混则到北京试试运气，不行则退守乡里。”</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">“侯宝林、关学曾等老辈儿的曲艺人，小时候都过着几近要饭的生活。但他们学了曲艺，在天桥等地撂地演出。演得稍微好些，能进杂耍园子、再到进剧场，还能成名成角儿。”</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">“穷人的生活都在温饱边缘，但还不至于绝望。过去的人觉得，只要是进北京讨生活，不管第一代人多么穷苦，只要是熬过这一代，第二、三代扎根儿下来。下一代多少不会挨饿，兴许能读上点书。实际上再过一代就解放了。读个不收学费，连伙食住宿都免费，只需要自己带个铺盖卷儿的中专或师范，多少能有点文化，翻身了。”</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">侯先生的总结是：“任何城市都有自己的贫民窟，若非要将贫民窟比喻为城市的癌症毒瘤的话，那这个毒瘤千万不要动刀割掉。割掉会癌细胞扩散，城市的问题会更大。因为在这个过程中，人不能失去道义。”</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">北洋政府虽然“城头变幻大王旗”，在金醉的考证和描写下，实在不能用“民不聊生”来形容，且不说掌权人物如何更迭，都没有发生驱逐外来人或者穷人的事情发生，反而整个社会仍然在一种新旧交替秩序中正常运行，甚至还设置“通俗演讲所”，开启明智教育。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">金醉在书中，运用了三个篇章（三个案子）详细的展现了民初北京妓院经营、妓女生活以及北洋政府的管理，尤其是政府将色情业纳入公开管理甚至引入近代慈善组织——济良所，实在是出乎我意外和知识常识。如果读者们感兴趣，可去翻翻《北洋夜行记》第5/6/7案。以下是我补充的相关学术研究</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">在民国初年，大批的妓女都是在年龄很小的时候进入妓院的，还有很多妓女是从受灾的地区被人贩子贩卖到妓院。这些女子大都出身贫寒，缺少基本的社会生存技能，即使脱离了烟花之地，也很难生存下去，需要设立专门性的救助机构以帮助走出妓院的女子在社会上生存，而济良所就是这样一个救助机构。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">京师济良所于1906年由外城巡警总厅督同绅商办理，1913年1月由警察厅接管。警察厅接管后全权负责济良所的管理，其经理由警察厅任命，必须是警察厅下属警区的警长或副警长。经理负责其他人员的选用，但正式聘用前亦须警察厅批准。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">据济良所管理条例，女性必须符合下列条件，经法院和警察厅审查之后，才可入济良所：1.被逼为娼的妇女；2.被妓院老板虐待并失去人身自由的妓女；3.愿意从良的妇女；4.无处容身及无依无靠的妇女。只有符合上述4个条件才被允许进济良所。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">这些女性进入济良所后一般不能随意出入，只有她的亲属愿意收留她或者择配结婚才能出所，其中，择配出所的情况居多。济良所里的女性，到结婚年龄的都必须照相。相片连同姓名和编号，都挂在相片陈列室内，供前来领娶的男子挑选。有到结婚年龄的所女，警察厅会在报刊上发布领娶通告。警察厅对济良所的宣传确实起到了一定的作用，有不少男性愿意到所领娶所女。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">警察厅所设济良所，原为救助妇女的“慈善之举”，社会人士对此多有理解，但仍有“浮薄子弟及拆白党徒，藉择配为名，任意出入，视如公娼，评头品足，任意嘲笑，日往缠扰”，致使那些真正想领娶者“望门却步”。这种情况不仅影响了所女择配，还影响了济良所和所女的声誉。为此，警察厅1920年10月“特通饬该所管理，嗣后不论何人士，如未有警厅执照，该所不得接待，以重所章，而免流弊”。因领娶所女需要出具3家殷实铺保，“以防冒领转售之弊”，一些投机奸商趁机“专售此项铺保”获取利益。警察厅为防止投机男子到济良所领娶所女转手卖掉，从中盈利，规定发现此种情况铺保人和领娶人一并惩罚。此外，济良所内的“种种黑暗”也时常被登著报端。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">意大利近代历史学家克罗齐有名言：“一切历史都是当代史”，我华夏自古史家常借古讽今，金醉先生酷爱民国史，也“沾染”了职业治史者的这一癖好，在第22案“猪市大街见杀机 金鱼胡同惨灭门”一章中讲了一个关乎“城乡鸿沟”的悲剧故事。故事的男一号杨小松，父亲光绪年间从河南逃命至北京东郊窦家庄（今北京朝阳区东南部的豆各庄），在挤满河南老乡的窝棚区里生下来他，却送回老家抚养，等到杨小松28岁那年河南遭了水灾，他爬火车来到北京，信念是“自己应该是北京人，人生在哪里，就算哪里人”。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">在北京城里，杨小宝通过各种努力想要生存下来，并喜欢上了“中端人口”——冰局老板的女儿，但由于文化差异产生误解最终导致杨小宝遭羞辱愤而将冰局老板家十几口灭门，仅一婢女幸而得脱。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">起杀心前一天，杨小松与伙伴争吵说：“回老家干啥？我连地都没有，你们想当农民你们当去，我死也得死在北京！”结果，一语成谶，走向枪决刑场之际，杨小松对金木说：“你是记者，本事大，能不能帮忙找找我爹。告诉他，别当北京人了。”</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">杨氏父子非常不走运，生不逢时，据侯磊先生回忆：“北京有过很多收编穷苦人的时候。通惠河南边有条铁路，当年有很多铁路沿线的外来劳工，把工棚搭建在铁路旁边生活，日久天长并入铁路系统，落户北京了。1948年前后，北京编订户口，有很多人寓居在某户，新中国上户口的时候就算是那里的人了。”当年杨小松父亲蜗居的窦家庄正在通惠河南岸铁路以南……</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">2017年入冬以来，北京尚未下过一场正式的雪，空气干燥，寒风凌冽，病毒性感冒肆虐。就在这个当口，我应了《北洋夜行记》的由头，怀着好奇溜达进如今的八大胡同。映入眼帘的基本是杂乱无序、破旧衰老、拥挤仄陋，各种管道和线路如一团乱麻般肆无忌惮地在胡同里生长蔓延，各种破旧的自行车三轮车电动车塞满本就窄逼的道路，很多院落破败幽暗，门口各种只能称之为垃圾的什物，一地鸡毛，满目疮痍。</p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;"><br style="margin: 0px; padding: 0px; max-width: 100%; box-sizing: border-box !important; word-wrap: break-word !important;" /></p><p style="padding: 0px; max-width: 100%; clear: both; min-height: 1em; color: #3e3e3e; font-family: -apple-system-font, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei", sans-serif; font-size: 18px; box-sizing: border-box !important; word-wrap: break-word !important;">可以想象，时至今日，这里依然是“低端产业”人口的聚居区。之所以躲过清理，恐怕还得感谢那些满目疮痍但却已然成为文物的旧院子旧房子……</p>